現(xiàn)代銅雕塑的發(fā)展

雕塑的發(fā)展和社會(huì)的發(fā)展是分不開的，中國(guó)的當(dāng)代銅雕塑經(jīng)歷了新文化運(yùn)動(dòng)、社會(huì)主要新中國(guó)的建立、文革的不同時(shí)期，以不同的歷史使命和姿態(tài)發(fā)生著改變。改革開放使中國(guó)發(fā)生了歷史性的巨變，銅雕塑同時(shí)也走出了國(guó)門，面向世界。

The development of sculpture is inseparable from the development of society. China's contemporary sculpture has experienced different periods of the new cultural movement, the establishment of new China and the cultural revolution, and has changed with different historical missions and attitudes. Reform and opening up have brought about historic changes in China. Sculpture has also gone abroad and faced the world.

西方國(guó)家的雕塑已經(jīng)進(jìn)入了后現(xiàn)代的發(fā)展時(shí)期，一些荒誕趣味性極強(qiáng)的雕塑在西方社會(huì)得到了認(rèn)可，中國(guó)在兼收并蓄的同時(shí)，同時(shí)沒有考慮到自身的矛盾問題，全盤接受，以至于之后出現(xiàn)了各種各樣的問題。

Sculpture in western countries has entered a post-modern development period. Some absurd and interesting sculptures have been recognized in western society. While embracing everything, China did not take into account its own contradictions and accepted it completely, so that a variety of problems appeared later.

中國(guó)經(jīng)濟(jì)的飛速發(fā)展帶來了中國(guó)當(dāng)代雕的大發(fā)展，雕塑開始逐漸成為了城市的形象，與市民對(duì)話的間接形式，中國(guó)當(dāng)代雕塑正處在蓬勃發(fā)展的活躍時(shí)期，作為改革開放歷史進(jìn)程的直接產(chǎn)物，二十幾年間，中國(guó)雕塑家相繼為數(shù)十個(gè)國(guó)家創(chuàng)作的高水準(zhǔn)的雕塑作品，已經(jīng)分別矗立在異國(guó)大地。

The rapid development of China's economy has brought about the great development of Chinese contemporary sculpture. Sculpture has gradually become the image of the city and an indirect form of dialogue with citizens. Chinese contemporary sculpture is in an active period of vigorous development. As a direct product of the historical process of reform and opening up, over the past 20 years, Chinese sculptors have created high-level sculpture works for dozens of countries, which have stood in foreign countries.

幾代中國(guó)雕塑家努力的豐碩業(yè)績(jī)和彪炳時(shí)代的卓越貢獻(xiàn)，不僅標(biāo)示著國(guó)門的打開，更是以前所未有的力度和規(guī)模，將中國(guó)現(xiàn)代雕塑推進(jìn)、融入到世界多元化的交流和互動(dòng)之中，從而贏得世界的矚目和廣泛的贊譽(yù)。

The fruitful achievements of several generations of Chinese sculptors and the outstanding contributions of the times not only mark the opening of the country, but also promote and integrate Chinese modern sculpture into the diversified exchanges and interactions in the world with unprecedented strength and scale, so as to win the attention and wide praise of the world.

優(yōu)秀的雕塑作品不僅具有市場(chǎng)價(jià)值，更具備學(xué)術(shù)價(jià)值。通過藝術(shù)價(jià)值與商業(yè)價(jià)格層次之間的規(guī)律，有效發(fā)揮雕塑人才的市場(chǎng)效應(yīng)，在市場(chǎng)和競(jìng)爭(zhēng)機(jī)制中發(fā)揚(yáng)中國(guó)的雕塑藝術(shù)，這才是發(fā)展中國(guó)雕塑市場(chǎng)的最終目的。

Excellent sculpture works have not only market value, but also academic value. Through the law between artistic value and commercial price level, effectively give play to the market effect of sculpture talents and carry forward China's sculpture art in the market and competition mechanism, which is the ultimate goal of developing China's sculpture market.